Celebrity1 min(s) read
Published 15:15 10 Oct 2020 GMT
After a cryptic post to Twitter, Mariah Carey fans believe they could potentially be in for a collaboration between Carey Ariana Grande, and Jennifer Hudson.
A Christmas track featuring some of the music industry's biggest and most influential powerhouses? Yes, please.
The speculation began yesterday (October 9), when the 'All I Want For Christmas' singer took to Twitter to post a snap of three directors chairs on a set.
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Each of the three chairs had a different pair of initials printed on them. One was MC aka Mariah Carey and the other two were AG and JH.
There was no caption to accompany the photo - aside from a single Christmas tree emoji that is.
Despite the lack of details, the post currently has 35,000 retweets, 106,000 likes, and 30,000 quote tweets at the time of writing.
Needless to say, fans were intrigued by the meaning behind the post, and the identities of the AG and JH.
One person wrote: "Do I finally feel like I'm winning in Twenty Twenty all a sudden? Why yes the f*** I do! We stan a legend who supports legends-in-the-making! Can't wait, darling!"
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Another fan gushed: "Ariana Grande, Mariah Carey AND Jennifer Hudson ALL IN ONE SONG. We won!!!! Another Christmas #1 classic on the way."
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Another Twitter user seemed to imply that she believed (or at least hoped) JH could be Beyoncé Knowles. They wrote: "AG - Ariana Grande MC - Mariah Carey JH - Jeyoncé Howles?!?!?!??!"
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Related - Back in 2008, Ellen DeGeneres tried to get Mariah Carey to admit she was pregnant in an uncomfortable moment which has recently gone viral:
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This comes weeks after, Carey revealed to her 21.5 million followers on Twitter that back in 1995, she secretly recorded an alt-rock album called 'Someone’s Ugly Daughter'.
At the time the album was released under the moniker, Chick. Carey made this public by sharing a passage from her memoir, The Meaning Of Mariah Carey.
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The passage reads:
"I’d bring my little alt-rock song to the band and hum a silly guitar riff. They would pick it up and we would record it immediately. It was irreverent, raw, and urgent, and the band got into it. I actually started to love some of the songs. I would fully commit to my character.
"I was playing with the style of the breezy-grunge, punk-light white female singers who were popular at the time. You know the ones who seemed to be so carefree with their feelings and their image. They could be angry, angsty, and messy, with old shoes, wrinkled slips, and unruly eyebrows, while every move I made was so calculated and manicured."
